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SERODINE, Giovanni Coronation of the Virgin with Saints  a oil painting


Coronation of the Virgin with Saints a
Painting ID::  9112
SERODINE, Giovanni
Coronation of the Virgin with Saints a
c. 1625 Oil on canvas Parish church, Ascona

   
   
     

SERODINE, Giovanni Parting of Sts Peter and Paul Led to Martyrdom set oil painting


Parting of Sts Peter and Paul Led to Martyrdom set
Painting ID::  9113
SERODINE, Giovanni
Parting of Sts Peter and Paul Led to Martyrdom set
1625-26 Oil on canvas, 144 x 220 cm Galleria Nazionale d'Arte Antica, Rome

   
   
     

SERODINE, Giovanni Jesus among the Doctors (mk05) oil painting


Jesus among the Doctors (mk05)
Painting ID::  20354
SERODINE, Giovanni
Jesus among the Doctors (mk05)
Canvas,57 x 88 1/4''(145 x 224 cm)Purchased in London in 1983

   
   
     

SERODINE, Giovanni Christ among the Doctors oil painting


Christ among the Doctors
Painting ID::  96049
SERODINE, Giovanni
Christ among the Doctors
circa 1625(1625) Medium oil on canvas cyf

   
   
     

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     SERODINE, Giovanni
     Italian Baroque Era Painter, 1600-1630 Italian painter and stuccoist. His family moved from Ascona on Lake Maggiore to Rome, where his father is recorded in 1595. It is probable that Serodine was born there. His first work was probably done in association with his brother Giovanni Battista Serodine (1589/90-1630), a stuccoist active in Rome, where he carved a Virgin and Child (1614) for the fa?ade of S Francesca Romana, and in Ascona, where he restored the family home and decorated it with stucco (1620). The design and stucco decoration of the church of the Madonna della Fortuna on Monte Verit? (Ascona) are attributed to him, though it is probable that Giovanni (who is recorded in Ascona in 1620) collaborated in the work. The first of Giovanni's documented official commissions, however, was for the stucco decoration and apsidal paintings in the chuch of the Concezione at Spoleto, where he worked with Sante Ghezzi (Corradini; Toscano). These murals, painted in tempera and completed in July 1624, are sketchy and clumsily executed, quite distinct in their inferior quality and naive piety from the rest of Serodine's work. They are probably his first attempts at painting,

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